KĀIWÙ. Art and Design from China

TypeExhibition
LocationHospice Comtesse Museum (Lille, France)
Dates19 May - 12 September 2021
ArtistsCao Fei, Chen Min, Huang Rui, Hu Fang, Li Naihan, Lin Jing, Lu Bin, Ma Shu, Jennifer Wen Ma, Ma Yansong, Mei Shuzhi, Peng Wei, Qiu Anxiong, Shao Fan (Yu Han), Jeff Dayu Shi, Wang Leyun, Wang Qin, Wu Haoyu, Wu Jian’an, Xin Yaoyao, Xu Bing, Yang Linqing, Zhang Zhoujie
Design studios & brandsStudio MVW, PINWU Design Studio, WY Art Design Studio, CIGA Design, Founder Type, Mi x HANNTO, Mi x HOTO, NIU, PIY, Smartmi, TUPLUS.
CuratorsCao Dan, He Jing, Tong Huiming
ForCity of Lille

The exhibition “KĀIWÙ. Art and Design from China” shows how the spirit of scholars has been perpetuated and transformed in culture and design today. The art of living of these intellectuals has profoundly influenced the aesthetic codes of Chinese objects and furniture. Whether anchored in tradition or turned towards the technologies of the future, the concept and aesthetic awareness of “objects” is always being renewed and reshaped along with the rapidly developing Chinese society. Major artists and designers, as well as graphic designers and industrial design studios, are exhibited in the historic setting of the Hospice Comtesse Museum, from 19 May to 12 September 2021.

View of the exhibition "KĀIWÙ. Art and design from China”, Hospice Comtesse Museum, Lille, 2021. Daniel Rapaich – DICOM/Ville de LILLE

In the fifth century BC, the notion of “Junzi” – “good man” or “accomplished human being”, and by extension, the figure of the Chinese scholar – appears with the character of Confucius. The term “scholar” has evolved over the centuries to refer more generally to intellectuals versed in the arts of poetry, calligraphy, music or painting, and are constantly in search for objects with refined aesthetics. Chinese emperors, scholars and officials assembled extraordinary collections of objects and encouraged the development of artistic craftsmanship.

Chinese objects were seen as a representation of sophisticated symbolism and techniques, igniting the Western imagination from the first exchanges with the Middle Empire—Chinese silk became very popular in Ancient Rome. In the 18th century, this craze grew with the introduction of “chinoiserie”: Industrial quantities of earthenware, porcelain, furniture and tapestries from China, or inspired by China, were imported and produced across Europe.

 Exposition-Kai-Wu-开物-Musee-hospice-Comtesse-Lille

View of the exhibition "KĀIWÙ. Art and design from China”, Hospice Comtesse Museum, Lille, 2021. Daniel Rapaich – DICOM/Ville de LILLE

 Vue Generale de l'Exposition Kai Wu au Musee Comtesse

View of the exhibition "KĀIWÙ. Art and design from China”, Hospice Comtesse Museum, Lille, 2021. Daniel Rapaich – DICOM/Ville de LILLE

 Exhibition-view-KAIWU-Art-and-design-from-China-开物-Musee-hospice-Comtesse-Lille

View of the exhibition "KĀIWÙ. Art and design from China”, Hospice Comtesse Museum, Lille, 2021. Daniel Rapaich – DICOM/Ville de LILLE

However, during the 19th and 20th century, these trades declined and innumerable works of art were dispersed or destroyed as China was shaken by the Opium wars, the fall of the empire, the civil war between Communists and Nationalists, the Sino-Japanese War and the Cultural Revolution (which proclaimed the elimination of the “four old things”).

Followed by economic reforms and the opening-up in the 1980s, China fully embraced globalisation and hyper-industrialisation. It quickly transformed itself into “the world factory”, producing mass consumer products designed in other countries and manufactured at low cost.

The exhibition features works of thirty artists, designers and graphic and industrial design studios. This rich collection of artworks, designed products, handicrafts and everyday consumer goods, reveal the texture of everyday life of ordinary Chinese people, as well as the imaginative and creative dimensions of the beauty of life.

“KĀIWÙ. Art and Design from China” brings together diversified views and questions, such as how traditional objects evolved, its different functions and specific production techniques; shedding light on both contemporary and futuristic lifestyles.

Huang Rui, "Gen", 2016. Courtesy of Huang Rui Studio.

Li Naihan, "I am a monument - CCTV Wardrobe", Bubinga wood, stainless steel (2013)

Jennifer Wen Ma, "Cry Joy Park", 2018. Courtesy of the artiste and Tang Contemporary Art Gallery.

Cao Fei, "Asia One", HDV, color, with stereo sound, 63'20" (2018). Commissioned by the Solomon R.Guggenheim Museum,New York,for The Robert H.N.Ho Family Foundation Chinese Art Initiative. Courtesy of artist,Vitamin Creative…

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